The fourth installment of Fresh Immigrants, Rotten Fascists focuses on the rise and fall of Lonesome Rhodes, as depicted in Elia Kazan’s A FACE IN THE CROWD. The story of a populist media superstar that grows to wield immense influence over the American public? How could that be relevant today? And yes, that’s America’s Grandpa Andy Griffith playing the maniacal Rhodes in his feature film debut.

Thank you for checking this new project out, whether you are a long-time Contrarians fan or someone who’s just trying to listen to people talking positively about immigrants and negatively about fascism. If you have any recommendations for future entries in the series, let us know!

The 90s and their MTV Movie Awards were the focus of many episodes during our eleventh year as Contrarians - will they also dominate our annual awards ceremony? Listen to find out who gets Embries, Hooeys, Ruffalos, Gads, and The Lancaster Dodd Grant!

Happy Halloween! We hit our donations goal at this year’s Livestream For The Cure, which means we are now on the hook to do commentary tracks for all five Exorcist films. Can’t think of a better time to start than now, on Halloween day, so enjoy listening to us talk about William Friedkin’s horror classic - ideally while you watch it!

(Don’t worry, The Embries 2025 should drop this weekend)

All these years later, we know FREDDY’S DEAD was far from the “final nightmare”. Freddy went on to fight Jason Voorhees, be meta in New Nightmare, and get a grim makeover in 2010. But word on the street is Rachel Talalay’s Elm Street entry was meant to be the end of Freddy at the time. Does that context make it a better or worse movie? And can we ever come to terms with the darkness and campiness fighting to co-exist in this franchise?

Horror icons are not allowed to die - but that doesn’t mean they are not allowed to try. And so, Fred Krueger gave it a shot in the boldly titled FREDDY’S DEAD: THE FINAL NIGHTMARE. Predictably, critics panicked at the idea of a world without Elm Street terrors and stamped a 23% rotten Tomatometer score on Freddy’s efforts. Listen to Alex & Julio defend this surprisingly emotional (and sincere, at the time) farewell!

We will always do our best to celebrate big swings and original ideas - even when we can’t make heads or tails of them. So yes, we’re going to cut QUANTUM COWBOYS some slack even though some of our qualms from Contrarians Corner also stand in this Real Talk segment. But even when acknowledging the value of trying new things, we also have to analyze why a well-meaning effort doesn’t work. That’s why we’re all here, isn’t it?

Take a hit of whatever your drug of choice is - that’s your best chance to grasp how QUANTUM COWBOYS scored 100% on the Tomatometer. Yes, universal acclaim is a little easier to attain when the review pool is shallow, but still, it’s weird when a nearly incomprehensible movie gets so much praise. Listen to Alex & Julio as they try to wrap their minds around a trippy plot and even trippier animation — and a lot of multiverse-related nonsense.

Well, it was The 80s, so maybe we were all a little easier to impress. With that in mind, how does CONAN THE BARBARIAN hold up in a world that’s been inundated with fantasy epics since its release? Can we spot what James Cameron might have seen in young Arnold Schwarzenegger back then? And will anyone think of the original Conan fans? That, and more, in this Real Talk segment!

There’s such a thing as Pre-Terminator Arnold Schwarzenegger and, oh boy, it’s a tough experience to sit through. Exhibit A? CONAN THE BARBARIAN, which was appreciated by critics and audiences enough to get a sequel, despite featuring a wooden performance from Arnie and excessive slow-mo that would make Zack Snyder proud. Listen to Alex & Julio marvel at the T-800’s humble beginnings!

The third installment of Fresh Immigrants, Rotten Fascists focuses on The Sullivans - an Irish family trying to start anew in America. So, of course, the movie is called IN AMERICA! Directed by Jim Sheridan, with Oscar-nominated performances from Samantha Morton and Djimon Hounsou, it’s the kind of film that’s determined to make you cry, and that’s not necessarily a bad thing.

Thank you for checking this new project out, whether you are a long-time Contrarians fan or someone who’s just trying to listen to people talking positively about immigrants and negatively about fascism. If you have any recommendations for future entries in the series, let us know!