Gone are the days when a crowdpleaser like THE FUGITIVE could stand toe-to-toe against films like Schindler’s List and The Piano come awards season but, hey, this is why we love The 90s - arguably Tommy Lee Jones’ decade. However, there’s more to Andrew Davis’ acclaimed thriller than TLJ’s beloved performance, and we’ll discuss it all in this Real Talk segment! A segment led by two people who’ve never watched the original TV show this movie’s based on.

Also, once again: don’t forget to join us during this year’s Livestream for the Cure, 5/17 at 4pm CT!

The Summer of the (MTV) Bangers begins! THE FUGITIVE got Tommy Lee Jones his first and only Oscar but, more importantly, it also took home the Best On-Screen Duo and Best Action Sequence trophies at the 1994 MTV Movie Awards. All that and a 96% Tomatometer score, just for Harrison Ford being chased for two hours? Listen to Alex & Julio pick apart every contrivance in this surprisingly beloved TV-to-film adaptation!

Oh, and join us at this year’s Livestream For The Cure! Our segment will be on 5/17 at 4pm CT.

Look, we’ll do our best not to dwell on the unfortunate parallels to Hereditary, but they need to be addressed (and yes, we know THE BABADOOK came out first). Thankfully, there’s more to Jennifer Kent’s feature debut than the inevitable comparisons to Ari Aster’s own “I am your motherrrrrr” flick - and we’ll get into all of that in this Real Talk segment!

Also, once again: don’t forget to join us during this year’s Livestream for the Cure, 5/17 at 4pm CT!

Most people just say “don’t have kids”. Jennifer Kent shot a whole movie to make her point. And whether THE BABADOOK worked as contraceptive for a whole generation or not, it was certainly effective in boosting Kent’s career and wowing critics and audiences. Listen to Alex & Julio pick apart this brutal tale of pop-up books, senior bingo, and hatred for your own child.

Oh, and join us at this year’s Livestream for the Cure! Our segment will be on 5/17 at 4pm CT.

We've reached the end of the road. We find out where our show's main rivals (Josh Koscheck & Chris Leben) ended up as well as discuss the paths our four finalists (Kenny, Diego, Stephan, and Forrest) took following the finale.

We collect our thoughts and experiences from this adventure and ask ourselves "Was this truly the ultimate?"

Was anyone asking for the Firefly Family to get a happy ending? Or is the entire Firefly Trilogy a wicked exercise in extreme button-pushing? Once again, we try to figure out what the deal is with Rob Zombie: is there a point to his movies or is he just having fun being disturbing? All this, and more, in this Real Talk segment!

Also, once again: don’t forget to join us during this year’s Livestream for the Cure, 5/17 at 4pm CT!

Much like the return of the Firefly family in 3 FROM HELL, Roberto Zombirelli is back on The Contrarians, against all odds. This is what happens when we hit goals during the Livestream for the Cure! So listen to Alex & Julio do their best to defend this 58% rotten Tomatometer victim, grappling with a wonderfully unhinged Sheri Moon performance and the wildest Clint Howard cameo!

Oh, and join us at this year’s Livestream for the Cure! Our segment will be on 5/17 at 4pm CT.

What a journey it's been. Now, we make sense of what became of The Ultimate Fighter. Who won the Couture-Liddell showdown?!

If any movie was going to make Alex go easier on Ansel Elgort, a Señor Spielbergo joint would have the best chance to do it. But whether Baby Driver finally wins a Contrarian over or not, there’s a lot more going on in the new WEST SIDE STORY, and we’ll have a serious conversation about it in this Real Talk segment. Listen to find out Julio’s proposed fix to the third act and more!

Steven Spielberg has reached the point in his career where he just makes films for himself. On the road to the ultimate indulgence of directing his own biopic, he stopped to remake one of his favorite movies, and his version of WEST SIDE STORY was Oscar-baity enough to score 91% on the Tomatometer! So listen to Alex & Julio as they lament how a gifted filmmaker wasted his time on an Ansel Elgort vehicle, and wonder if musical numbers are meant to soften racism.