If an American filmmaker depicted Brazil the way BACURAU does, they’d be accused of stereotyping a foreign country. When Brazilian filmmakers do it, however, they get top honors at Cannes and a 93% on the Tomatometer. What kind of double standard is that? Listen to Alex and Julio as they try to make sense of the weirdest Brazilian Western - if such a thing could even exist. When does Udo Kier become a hindrance in your movie? Why is it important to have a clear protagonist? And why would anyone mix science fiction with magical realism?