It was bound to happen. Sooner or later, Edgar Wright was going to let style win over substance, and we were all going to pay the price. BABY DRIVER fooled critics with its hipster soundtrack and its attractive cast, managing to weasel itself toward a 92% Tomatometer score - and allowing its director to be celebrated for his most shallow effort yet. Listen to Alex and Julio as they refuse to be blinded by the cool cars and the pretty people - and take B-A-B-Y to task!