A room full of coked-up screenwriters and producers shouting WHAT IF over each other. That has to have been the genesis of the Keanu Reeves / Sandra Bullock vehicle SPEED, a movie where Keanu does things with a bus you didn’t think possible, all while Sandy shamelessly flirts with him despite being surrounded by tragedy and death. Why did critics love this film? Was it that it moved too fast for them to pick up on all the plot-holes? Listen to Alex and Julio slow things down in order to tear this thing apart and set the Tomatometer straight once again!