The Summer of Winona continues as we go back to Winona’s first commercial success and her first collaboration with Tim Burton, who even back then had way too many ideas and not enough interest in executing them properly. Listen as Alex and Julio try to make sense of BEETLEJUICE and its morbid fascination with death! Is Michael Keaton’s performance to blame for the eventual epidemic of comedians gone wild with the riffing? Why was Winona so bad at charades? And what are the logistics of staging an impromptu supernatural song and dance?